Conference
16.05.2026
17:00
Muzeu
Moderated by: António Guerreiro
Free
This conversation takes place in Portuguese
According to José Gil, philosophy seeks the reality that makes a world possible. It is through this quest that the Portuguese philosopher has explored a wide range of themes throughout his career, which has recently included an incisive analysis of issues surrounding technology and its relationship with politics and art. The omnipresence of Big Tech and the influence it exerts on the realm of reality, as well as the political and social paradigm shift brought about by Artificial Intelligence technologies, will be the topics of a presentation by José Gil, followed by a conversation with the columnist and literary critic António Guerreiro.
José Gil
José Gil was born in Mozambique and studied philosophy in Paris, completing his Doctorat d’Etat with a dissertation titled “O corpo como campo do poder”. He taught Philosophy at Universidade Nova de Lisboa, the Collège International de Philosophie in Paris, the New School for Dance Development in Amsterdam, and the University of São Paulo (PUC). His work focused on Aesthetics, Philosophy of the Body, and Political Philosophy. He has published scientific articles and essays in journals and encyclopedias, as well as several novels and numerous essays, notably “Fernando Pessoa ou a Metafísica das sensações”, “Salazar – a Retórica da Invisibilidade”, “Portugal hoje – o Medo de existir”, “Caos e Ritmo”, “Morte e Democracia”.
António Guerreiro
António Guerreiro holds a degree in Modern Languages and Literature (Portuguese/French) from Faculdade de Letras da Universidade de Lisboa. Guerreiro was a cultural journalist and literary critic for the newspaper Expresso. He is currently a columnist for Público. António Guerreiro is one of the founders of the cultural magazine Electra, published by the EDP Foundation, of which he is the editor. He is a visiting lecturer at the Faculdade de Belas Artes da Universidade de Lisboa. He is the author of the following books: “O Acento Agudo do Presente” (2000), “O Demónio das Imagens. Sobre Aby Warburg” (2018), and “Zonas de Baixa Pressão” (2021).